Thursday
Jan142010

Culture by Numbers

(Newfoundland, 2007) Photographic composition

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Thursday
Jan142010

Tidal Culture: Part II

Latitude 49.678N / Longitude –54.820W


(Newfoundland, 2007) single channel HD video, 1 hour
The act of sitting at a shoreline, observing the ocean may seem unremarkable. I'm concerned with what is not readily visible; what takes place over time; and how states of mind, like conditions of the earth, require time to experience, observe and understand.

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Friday
Jan082010

spatial reasoning

(2007) 8 mm (b+w) film, transfer to dvd, 3 minutes

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Thursday
Jan072010

Offering Prints

(2006) edition of 7 dung bowl prints.

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Thursday
Jan072010

Offering

(Maine, 2006) A site-specific installation for Mt. Desert Symposium in the Arts/LandEscapes. The focus for this installation was "food" and was sited at Beech Hill Farm, a 75-acre organic farm.

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Tuesday
Jan052010

Then, now and again

(2006) single-channel video, 4 minutes
Voice, touch and repetition act as mnemonic devices for human contact and the passing of time, while the turned back (or facelessness) hints at anonymity and isolation. The use of the triptych reflects past, present and future while the soundtrack of bedtime lullabies, sung by an older woman, creates tension between tender care and naked vulnerability.

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Monday
Jan042010

Element

(Massachusetts, 2006) A project completed at the Contemporary Artists Center Residency Program, North Adams, MA.

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Monday
Jan042010

Tidal Objects

Monday
Jan042010

Tidal Culture: Part I

Latitude 43.586N / Longitude –70.202W


(Maine, 2005) single channel HD video, 1 hour
I’m drawn to these landscapes for their character— sometimes austere, sometimes lush, often connoting isolation.

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Friday
Jan012010

Tonal Reflections

(2005) print from Carborundum on plexi plate (recorded shape of vowel sounds), 10" x 44"

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Friday
Jan012010

Transparent Gestures I, II, and III

(2005) single channel video, three monitors, 10 minutes each
Transparent Gestures documents the development of three 36”x36” drypoint and carborundum plexiglas plates. Each plate reflects a specific wiping gesture (vertical, circular and horizontal). The repetitive and hypnotic nature of these gestures reflects state of mind while scale investigates both the limitations and possibilities of personal "reach".

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Friday
Jan012010

Transparent Gestures I, II, III

(2005) A suite of three 42"x42" drypoint and carborundum prints. Printed by the artist at SUNY New Patlz.

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Friday
Jan012010

Lower

(2004) body print using ground indigo pigment with acrylic medium, 28" x 40"

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Friday
Jan012010

(un)rest

(2004) single-channel video, 3 minutes
Through multiple video windows, we witness a pillow being transformed. Function, content and perspective are questioned through the process of redefining form. What was once a pillow—an article of daily living and a repository for rest and subconscious thought—is transmuted into a vessel with renewed and redefined, yet indeterminate, function.

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Friday
Jan012010

If I scream

(2004) single-channel video, 4 minutes

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Friday
Jan012010

Familiar Terrain

(2004) single channel video, 2 minutes
The surface of the body, which includes hair, acts as a signifier of “border”…between self and others…between what is internal and what is external…between what is personal and what is social. Personal Terrain uses the tactile nature of hair as metaphor for topography, geography and territory.

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Friday
Jan012010

Cycles of Repetition: an homage in observations

(Rajasthan and Gujarat, India; Production 1995-96; Post Production 2004) single-channel video, 3 minutes

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